Jerry Garcia’s 4 Favorite Folk Albums Revealed

via @Jerry Garcia | YouTube

Jerry Garcia, the iconic leader of the Grateful Dead, was a musical explorer, traversing diverse genres throughout his illustrious career. Among the myriad sounds that captivated him, folk music held a special place. Whether crafting harmonies with the Grateful Dead, strumming alongside the New Riders of the Purple Sage, or engaging in acoustic duets with Kahn, Garcia’s foray into folk showcased his versatile talent. In this exploration, we unveil Jerry Garcia’s four favorite folk albums, offering insight into the influences that shaped his extraordinary musical legacy.

Folksingers ‘Round Harvard Square – Joan Baez

Garcia found inspiration in Joan Baez’s groundbreaking 1959 debut, “Folksingers’ Round Harvard Square.” Reflecting on Baez’s finger-picking, Garcia expressed, “When Joan Baez’s first record came out, I heard her finger-picking the guitar. I’d never heard anything like it before, so I got into that.” The album, a fusion of Americana and Greek traditional music, played a significant role in shaping Garcia’s early appreciation for folk.

Anthology of Folk Music – Harry Smith

Another cornerstone in Garcia’s folk repertoire was the “Anthology of Folk Music” curated by Harry Smith. While specific quotes about this collection are not available, the Anthology is a celebrated compilation that exposed Garcia to a broad spectrum of folk sounds, contributing to his eclectic musical palette.

Bringing It All Back Home – Bob Dylan

Garcia’s admiration extended to Bob Dylan’s 1965 album, “Bringing It All Back Home.” Notably, Garcia initially confessed, “I never used to like Bob Dylan until he came out with electric music.” The album marked Dylan’s transition from acoustic to electric, a move that resonated deeply with Garcia, who praised it as “beautiful mad stuff.” This shift in Dylan’s style left an indelible impact on Garcia and his contemporaries.

Cahoots – The Band

Garcia also cherished The Band’s modernistic take on country traditions, particularly their 1971 album, “Cahoots.” Expressing his love for the album, Garcia remarked, “I love ‘Life is a Carnival’ – that’s beautiful. Shit, that’s great. All the stuff in there, all those great parts. The Dylan song is great, too. I love that song.” The Band’s fusion of rootsy, folk rock elements resonated with Garcia, showcasing his appreciation for their unique musical palette.

Jerry Garcia’s journey through folk music reveals a profound connection to the genre’s diverse expressions. From the mesmerizing finger-picking of Joan Baez to the transformative electric sounds of Bob Dylan, Garcia’s favorites reflect the richness and variety embedded in folk traditions. These albums stand as testaments to Garcia’s enduring passion for music that transcends eras and genres, leaving an indelible mark on the vibrant tapestry of his musical legacy.