Paul McCartney Reveals His Picks For His Dream Supergroup

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Supergroups are a prevalent phenomenon in the music industry that typically develop when performers either quit their bands, seek solo careers, or attempt to branch out by playing in a band on the side. Supergroups have replaced musicians’ primary bands in several cases. For instance, CSNY, who became the primary band for Neil Young, Graham Nash, David Crosby, and Stephen Stills, made a significant musical contribution to the business.

McCartney had an unexpected response when asked to start his ideal band, despite being a member of one of the greatest rock and roll ensembles of all time. In an interview with the Brazilian newspaper Estado, the artist didn’t name any of his former bandmates. Instead, he suggested other legendary figures for his ideal band.

Who Might Have Been In Paul McCartney’s Ideal Supergroup?

When asked about his ideal supergroup, Paul McCartney referred to Led Zeppelin rather than focusing on the members of his previous band. The artist initially mentioned the late John Bonham as his drummer and referred to him as “ballsy.” He then mentioned his longtime buddy and legendary musician Billy Preston for the keyboards. Before his passing in 2006, the latter collaborated with a number of notable figures, including the Beatles.

He stated the following on the selection of Preston and Bonham:

“Bonham was always on my top-five drummer list and a great friend and ballsy drummer. On keyboards, Billy Preston.“

McCartney, a guitarist, proceeded to build his band by enlisting bassist John Entwistle from The Who, who also died away in 2002, to perform. The former Beatle also requested the indispensable rock icon Elvis Presley on voice and Jimi Hendrix on guitar to perform alongside him. The five-musician ensemble appears to have been completed by McCartney using selections that many other people would also find admirable. It appears that he did not include himself in this supergroup.

John Lennon played guitar in Alice Cooper’s fantasy band, which also featured Paul McCartney on bass. Cooper concentrated on the Beatles, whereas McCartney preferred performers who were already deceased, demonstrating how much he valued the skills of the luminaries who sadly and prematurely departed away.